Difference between revisions of "A Real Birmingham Family"
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The statue went into storage in May 2017, ostensibly to allow work for the redevelopment of Centenary Square to begin.<ref>http://www.birminghammail.co.uk/whats-on/arts-culture-news/controversial-family-statue-removed-centenary-13266612</ref> It is unclear if the statue remains in storage. |
The statue went into storage in May 2017, ostensibly to allow work for the redevelopment of Centenary Square to begin.<ref>http://www.birminghammail.co.uk/whats-on/arts-culture-news/controversial-family-statue-removed-centenary-13266612</ref> It is unclear if the statue remains in storage. |
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[[Category: Featured Articles]] |
[[Category: Featured Articles]] |
Revision as of 09:20, 1 January 2022
This article contains information imported from the English Wikipedia. In most cases the page history will have details. If you need information on the importation and have difficulty obtaining it please contact the site administrators.
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A Real Birmingham Family is a public artwork and sculpture by Gillian Wearing, cast in bronze, and erected in Centenary Square, outside the Library of Birmingham, England, on 30 October 2014.[1]
It depicts two local sisters, each a single mother, with their two children. One of the mothers is depicted as pregnant with a second son who was born before the sculpture was unveiled.[2] The people depicted are Roma and Emma Jones with their sons Kyle and Shaye respectively. Emma was pregnant with Issac at the time.
The lack of any adult males in A Real Birmingham Family was noted by MRAs and others soon after the unveiling.
In a process begun in 2011, and coordinated by the city's Ikon Gallery, nominations for a real local family to model for the sculpture were invited. The Jones' were selected from a shortlist, by an independent panel, in August 2013.[3]
Wearing said:
'I really liked how Roma and Emma Jones spoke of their closeness as sisters and how they supported each other. It seemed a very strong bond, one of friendship and family, and the sculpture puts across that connectedness between them. A nuclear family is one reality but it is one of many and this work celebrates the idea that what constitutes a family should not be fixed. [4]
The £100,000 cost of the work was covered by a combination of public money and private donations. The casting was carried out in China. The project follows Wearing's 2008 work, A Typical Trentino Family.
In November 2014 shortly after being unveiled, New Fathers 4 Justice activist Bobby Smith covered the statue with a white sheet and pictures of his two daughters. Smith commented:
"They’ve depicted the normal family with no fathers... I believe kids are always better off with both parents in their lives." [5] [6]
The statue went into storage in May 2017, ostensibly to allow work for the redevelopment of Centenary Square to begin.[7] It is unclear if the statue remains in storage.
References
- ↑ http://www.birminghammail.co.uk/news/midlands-news/library-birmingham-statue-unveiling-two-8024136
- ↑ http://birminghamnewsroom.com/2014/10/a-real-birmingham-family/
- ↑ http://www.birminghammail.co.uk/news/local-news/meet-joneses---real-birmingham-5794999
- ↑ http://arealbirminghamfamily.com/sign-in?ReturnUrl=%2f#jones
- ↑ http://www.birminghammail.co.uk/news/midlands-news/library-birmingham-statue-attacked-new-8033694
- ↑ https://www.telegraph.co.uk/men/thinking-man/11205005/Is-Gillian-Wearings-family-sculpture-offensive-to-fathers.html
- ↑ http://www.birminghammail.co.uk/whats-on/arts-culture-news/controversial-family-statue-removed-centenary-13266612