Difference between revisions of "George Johann Carl Antheil"
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[[George Johann Carl Antheil]] (July 8, 1900 – February 12, 1959) was an American avant-garde composer, pianist, author, and inventor whose modernist musical compositions explored the sounds – musical, industrial, and mechanical – of the early 20th century. Spending much of the 1920s in Europe, Antheil returned to the United States in the 1930s, and thereafter composed music for films, and eventually, television. As a result of this work, his style became more tonal. A man of diverse interests and talents, Antheil was constantly reinventing himself. He wrote magazine articles, an autobiography, a mystery novel, and newspaper and music columns. |
[[George Johann Carl Antheil]] (July 8, 1900 – February 12, 1959) was an American avant-garde composer, pianist, author, and inventor whose modernist musical compositions explored the sounds – musical, industrial, and mechanical – of the early 20th century. Spending much of the 1920s in Europe, Antheil returned to the United States in the 1930s, and thereafter composed music for films, and eventually, television. As a result of this work, his style became more tonal. A man of diverse interests and talents, Antheil was constantly reinventing himself. He wrote magazine articles, an autobiography, a mystery novel, and newspaper and music columns. |
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+ | == Frequency Hopping Technology == |
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− | In 1941, Antheil and the actress [[Hedy Lamarr]] developed a radio guidance system for Allied torpedoes that used a code (stored on a punched paper tape) to synchronize frequency changes, referred to as frequency hopping, between the transmitter and receiver. It is one of the spread spectrum techniques that became widely used in modern telecommunications. This work led to their induction into the National Inventors Hall of Fame in 2014. |
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+ | During World War II, Lamarr read that radio-controlled torpedoes had been proposed. However, an enemy might be able to jam such a torpedo's guidance system and set it off course. When discussing this with her friend the composer and pianist George Antheil, the idea was raised that a frequency-hopping signal might prevent the torpedo's radio guidance system from being tracked or jammed. Antheil succeeded by synchronizing a miniaturized player piano mechanism with radio signals. Antheil sketched out the idea for the frequency-hopping system, which was to use a perforated paper tape which actuated pneumatic controls (as was already used in player pianos). |
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+ | Antheil was introduced to Samuel Stuart Mackeown, a professor of radio-electrical engineering at Caltech, whom Lamarr then employed for a year to actually implement the idea. Lamarr hired the Los Angeles legal firm of Lyon & Lyon to search for prior knowledge, and to craft the application for the patent which was granted as U.S. Patent 2,292,387 on August 11, 1942, under her married name Hedy Kiesler Markey. |
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+ | It has been reported in many online publications that Antheil and Lamarr's work helped with the creation of Wi-Fi, Bluetooth, GPS and cellphones, however their work was never formally adopted anywhere. |
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+ | Neither the US Navy nor that of any other nation were using radio-controlled torpedoes at the time, and electro-mechanical devices were soon to be made obsolete by purely electronic controls. |
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+ | Furthermore, outside of incorporating the use of a miniaturized clockwork piano, their ideas on frequency-hopping were not new. As early as 1899, Guglielmo Marconi had experimented with frequency-selective reception in an attempt to minimize radio interference. The earliest mentions of frequency hopping in open literature are in US patent 725,605, awarded to Nikola Tesla on March 17, 1903, and in radio pioneer Jonathan Zenneck's book Wireless Telegraphy (German, 1908, English translation McGraw Hill, 1915). And Zenneck notes that Telefunken had already previously implemented it. In 1929, the Polish engineer and inventor Leonard Danilewicz further elaborated on the idea; and, in 1932, U.S. Patent 1869659A was issued to the Dutch inventor William Broertjes for his electromechanical device to encrypt radio transmissions by using frequency-hopping. |
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+ | Frequency-hopping spread spectrum (FHSS) is not actually used by Wi-Fi, GPS or cellphones (they instead use DSSS), although a variation on the technology, known as adaptive frequency hopping (AFH), is employed by Bluetooth. |
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== See Also == |
== See Also == |
Revision as of 05:00, 29 October 2023
George Johann Carl Antheil (July 8, 1900 – February 12, 1959) was an American avant-garde composer, pianist, author, and inventor whose modernist musical compositions explored the sounds – musical, industrial, and mechanical – of the early 20th century. Spending much of the 1920s in Europe, Antheil returned to the United States in the 1930s, and thereafter composed music for films, and eventually, television. As a result of this work, his style became more tonal. A man of diverse interests and talents, Antheil was constantly reinventing himself. He wrote magazine articles, an autobiography, a mystery novel, and newspaper and music columns.
Frequency Hopping Technology
During World War II, Lamarr read that radio-controlled torpedoes had been proposed. However, an enemy might be able to jam such a torpedo's guidance system and set it off course. When discussing this with her friend the composer and pianist George Antheil, the idea was raised that a frequency-hopping signal might prevent the torpedo's radio guidance system from being tracked or jammed. Antheil succeeded by synchronizing a miniaturized player piano mechanism with radio signals. Antheil sketched out the idea for the frequency-hopping system, which was to use a perforated paper tape which actuated pneumatic controls (as was already used in player pianos).
Antheil was introduced to Samuel Stuart Mackeown, a professor of radio-electrical engineering at Caltech, whom Lamarr then employed for a year to actually implement the idea. Lamarr hired the Los Angeles legal firm of Lyon & Lyon to search for prior knowledge, and to craft the application for the patent which was granted as U.S. Patent 2,292,387 on August 11, 1942, under her married name Hedy Kiesler Markey.
It has been reported in many online publications that Antheil and Lamarr's work helped with the creation of Wi-Fi, Bluetooth, GPS and cellphones, however their work was never formally adopted anywhere.
Neither the US Navy nor that of any other nation were using radio-controlled torpedoes at the time, and electro-mechanical devices were soon to be made obsolete by purely electronic controls.
Furthermore, outside of incorporating the use of a miniaturized clockwork piano, their ideas on frequency-hopping were not new. As early as 1899, Guglielmo Marconi had experimented with frequency-selective reception in an attempt to minimize radio interference. The earliest mentions of frequency hopping in open literature are in US patent 725,605, awarded to Nikola Tesla on March 17, 1903, and in radio pioneer Jonathan Zenneck's book Wireless Telegraphy (German, 1908, English translation McGraw Hill, 1915). And Zenneck notes that Telefunken had already previously implemented it. In 1929, the Polish engineer and inventor Leonard Danilewicz further elaborated on the idea; and, in 1932, U.S. Patent 1869659A was issued to the Dutch inventor William Broertjes for his electromechanical device to encrypt radio transmissions by using frequency-hopping.
Frequency-hopping spread spectrum (FHSS) is not actually used by Wi-Fi, GPS or cellphones (they instead use DSSS), although a variation on the technology, known as adaptive frequency hopping (AFH), is employed by Bluetooth.
See Also
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