Difference between revisions of "Hedwig Eva Maria Kiesler"
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[[File:Hedy_Lamarr_Publicity_Photo_for_The_Heavenly_Body_1944.jpg|thumb|Hedy Lamarr, 1944.]] |
[[File:Hedy_Lamarr_Publicity_Photo_for_The_Heavenly_Body_1944.jpg|thumb|Hedy Lamarr, 1944.]] |
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− | + | '''Hedy Lamarr''' (born [[Hedwig Eva Maria Kiesler]]; November 9, 1914 – January 19, 2000) was an Austro-Hungarian-born American actress. She was a film star during Hollywood's Golden Age. |
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− | After a brief early film career in Czechoslovakia, including the controversial Ecstasy (1933), she fled from her first husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938). Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942). Her greatest success was as Delilah in Cecil B. DeMille's Bible-inspired Samson and Delilah (1949). She also acted on television before the release of her final film, The Female Animal (1958). She was honored with a star on the Hollywood Walk of Fame in 1960. |
+ | After a brief early film career in Czechoslovakia, including the controversial film ''Ecstasy'' (1933), she fled from her first husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938). Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942). Her greatest success was as Delilah in Cecil B. DeMille's Bible-inspired Samson and Delilah (1949). She also acted on television before the release of her final film, The Female Animal (1958). She was honored with a star on the Hollywood Walk of Fame in 1960. |
− | At the beginning of World War II, she and avant-garde composer [[George Antheil]] developed a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. |
+ | At the beginning of World War II, she and avant-garde composer [[George Antheil]] developed a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. While innovative the technology was not adopted by the US Navy. |
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+ | This technology was not developed solely by Lamarr as is often implied or suggested by [[feminist]] sources. Nor did she invent Wi-Fi as some wholly uninformed sources claim. |
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Lamarr also tinkered in her spare time on other hobbies and ideas, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink. |
Lamarr also tinkered in her spare time on other hobbies and ideas, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink. |
Latest revision as of 06:43, 26 August 2024
Hedy Lamarr (born Hedwig Eva Maria Kiesler; November 9, 1914 – January 19, 2000) was an Austro-Hungarian-born American actress. She was a film star during Hollywood's Golden Age.
After a brief early film career in Czechoslovakia, including the controversial film Ecstasy (1933), she fled from her first husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938). Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942). Her greatest success was as Delilah in Cecil B. DeMille's Bible-inspired Samson and Delilah (1949). She also acted on television before the release of her final film, The Female Animal (1958). She was honored with a star on the Hollywood Walk of Fame in 1960.
At the beginning of World War II, she and avant-garde composer George Antheil developed a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. While innovative the technology was not adopted by the US Navy.
This technology was not developed solely by Lamarr as is often implied or suggested by feminist sources. Nor did she invent Wi-Fi as some wholly uninformed sources claim.
Lamarr also tinkered in her spare time on other hobbies and ideas, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink.
Frequency Hopping Technology
During World War II, Lamarr read that radio-controlled torpedoes had been proposed. However, an enemy might be able to jam such a torpedo's guidance system and set it off course. When discussing this with her friend the composer and pianist George Antheil, the idea was raised that a frequency-hopping signal might prevent the torpedo's radio guidance system from being tracked or jammed. Antheil succeeded by synchronizing a miniaturized player piano mechanism with radio signals. Antheil sketched out the idea for the frequency-hopping system, which was to use a perforated paper tape which actuated pneumatic controls (as was already used in player pianos).
Antheil was introduced to Samuel Stuart Mackeown, a professor of radio-electrical engineering at Caltech, whom Lamarr then employed for a year to actually implement the idea. Lamarr hired the Los Angeles legal firm of Lyon & Lyon to search for prior knowledge, and to craft the application for the patent which was granted as U.S. Patent 2,292,387 on August 11, 1942, under her married name Hedy Kiesler Markey.
It has been reported in many online publications that Antheil and Lamarr's work helped with the creation of Wi-Fi, Bluetooth, GPS and cellphones, however their work was never formally adopted anywhere.
Neither the US Navy nor that of any other nation were using radio-controlled torpedoes at the time, and electro-mechanical devices were soon to be made obsolete by purely electronic controls.
Furthermore, outside of incorporating the use of a miniaturized clockwork piano, their ideas on frequency-hopping were not new. As early as 1899, Guglielmo Marconi had experimented with frequency-selective reception in an attempt to minimize radio interference. The earliest mentions of frequency hopping in open literature are in US patent 725,605, awarded to Nikola Tesla on March 17, 1903, and in radio pioneer Jonathan Zenneck's book Wireless Telegraphy (German, 1908, English translation McGraw Hill, 1915). And Zenneck notes that Telefunken had already previously implemented it. In 1929, the Polish engineer and inventor Leonard Danilewicz further elaborated on the idea; and, in 1932, U.S. Patent 1869659A was issued to the Dutch inventor William Broertjes for his electromechanical device to encrypt radio transmissions by using frequency-hopping.
Frequency-hopping spread spectrum (FHSS) is not actually used by Wi-Fi, GPS or cellphones (they instead use DSSS), although a variation on the technology, known as adaptive frequency hopping (AFH), is employed by Bluetooth.
In 1997, Lamarr and Antheil received the Electronic Frontier Foundation Pioneer Award and the Bulbie Gnass Spirit of Achievement Bronze Award, given to individuals whose creative lifetime achievements in the arts, sciences, business, or invention fields have significantly contributed to society.
In 2014, Lamarr and Antheil were posthumously inducted into the National Inventors Hall of Fame.
See Also
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